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    3rd Forshang Cup 1999


    3 February 2000

     

    Chinese chess in paradise

    By Jouni Tolonen

    IF THERE IS A DAY in my life I would like to change it's not the day I learned about Chinese chess. Being able to represent Finland three times in The Forshang Cup just makes that a little bit easier to say. During last year's closing ceremonies in Honolulu the organizers had raised the hopes of the European participants to get The Third Forshang Cup held in Europe. Unfortunately that didn't happen. 

    On the other hand, considering the number of participants who didn't want to leave Hawaii after last year's tournament, Honolulu as a tournament venue again wasn't such a bad choice either. For players in Europe it unfortunately also meant long flights and tiring jetlag - we just happen to be on the opposite side of the Earth.

    The Forshang

    Forshang World Foundation was founded in Taiwan in 1994 and today it is established in Los Angeles, San Francisco, Vancouver, Toronto and Hong Kong. It is a non-profit organization engaged in the propagation of Chinese culture, Buddhism, academics and international cultural exchange.

    The President of the Forshang World Foundation, San-Don Lee, starts the tournament.

    The connection between the primary purpose of the Forshang World Foundation, -  to promote Forshang Buddhism - and Chinese Chess, is how the game requires patience, intense concentration, and a cool and calm mind in order for a player to grow and develop. Likewise, these characteristics are promoted in Buddhist practice. The president of the Forshang World Foundation, Master San-Don Lee, who had a dream since he was little to hold the biggest Chinese chess contest, expressed his thoughts in the First Forshang Cup tournament booklet:

    '...I sincerely believe, there is no enemy in all chess contests. It is only a way for communication, a way to make a friend from the depth of your heart.'

    The opening draw

    The opening draw was held at Ala Moana Hotel where the teams stayed during the tournament. Even though the Chinese team dropped out of the contest last year after playing only four rounds - due to some unresolved disputes about what flags should be displayed at the playing area - the organizers were very optimistic about the Chinese team's participation this year. But it was not a big surprise that China didn't come, considering the latest developments between Taiwan and China. 

    This meant the tournament favourites would be the Taiwanese players but the success of Vietnamese players would not be a big surprise either. The players were divided to two groups of 20 players who would play the first six rounds separately. 

    In my opinion the second group, players 21-40 was probably a little bit tougher - no, I didn't play in it. It's true that in the final eight top-finishers there were four players from each group, but the players from the second group did much better in the final knock-out matches as well as had a clearly better rating average (according to INGO ratings by Siegfried Huber).

    Tournament conditions

    Imagine an old villa with a large garden growing all kinds of tropical plants and trees. Some of the old trees have roots which alone could offer shadow enough to hold a small chess tournament. You can walk among them, pick up a fresh nut and try to open it. There is a small stream where you can see a tiny crab - which will pinch your finger if you try to be too friendly! On the other side there is a Japanese-style garden with small bridges and ponds - and large toads.

    The tournament conditions were very unlike any other xiangqi tournament I have taken part in. The twenty games were played outside under two big tents on the garden's grass field, sheltered from the sun and the occasional shower. The games were played on beautiful boards made especially for the Forshang Cup.

    During the games there were some strong gusts of wind which blew anything from the table but not the board and the pieces. Definitely a good reason to use Chinese-style pieces - flat discs instead of western chess style three-dimensional ones! During the rounds, selected games were shown to spectators on big video screens - from which I had some trouble recognizing the pieces.

    The time control for the games was demanding for the players as well as for the arbiters. First you had to make 25 moves in an hour and after the hour you had ten minutes for eight moves. As the control point was the one-hour mark and not the number of moves, the time controls were usually at different moves for the both players. So, in order to know both yours and your opponents time control you had to follow both scoresheets - where the next time control was marked with colour after each fall of flag. In addition, you couldn't save your time for the next time control, which was always the same ten minutes. 

    During last year's competition, I discussed the time control with Mr. Lai from the U.K. and the organizers and it's differences compared to the western-style control where you can at some point take a long thinking break if you make your remaining moves quickly. We thought the western style was better but the organizers said they wanted in fact to emphasize the 'fighting' nature of Xiangqi - a really good point.

    Olympic attention

    The opening ceremonies were held at the playing site. There were speeches and a Hawaiian drum music group performing. At the playing site, in addition to all participating nations' flags, there were five flags more visibly in view - the U.S., Hawaii, the Forshang Foundation, Taiwanese and the International Olympic Committee flags. 

    The Olympic attention of the Forshang Cup started from the 2nd Cup in 1998, when IOC members Anita Defrantz and Ching-Kuo Wu attended the tournament ceremonies. Since then the presence of the IOC has been notable. The IOC members assured the tournament participants about their positive attitude to include mind sports in general, and hopefully Chinese Chess, in the Olympic movement. Also President Juan Antonio Samaranch greeted the tournament with a letter.

    Tournament action

    The heaviest part of the winner's job? To carry home this 10-kg trophy.

    The first-round pairings were drawn at random so there was a possibility for the biggest upsets. I had my chance for big fame and glory as I was paired with one of the strongest players in the tournament, Chung Wei MA, champion of Taiwan in 1985. My opponent had black. After half an hour I was almost congratulated for my win.

    However, the position on the board wasn't yet won for red, because black still had to make his first move! He was still on his way from Taiwan to the tournament site. But he made it on time, hurried to our board - he had still 29 minutes for the first 25 moves - and the following happened: see the game in java window, algebraic or WXF notation.

    My ten opponents were from ten different countries, truly an international experience! Already in the first round there were some top fights, too. Two boards had players who would enter in the top eight: Kui Lin WU from Taiwan beat Hai Qin MOU from the USA and Thanh Minh MAI from Vietnam defeated Weng Yeow HOR from West Malaysia.

    The third-round encounter with Taiwan's Chian Chih LIN gave the eventual tournament winner his only loss. The game was sharp, full of threats and counter-threats. At one point it seemed the black King was caught in a mating net but finally that is red's fate. See the game in java window, algebraic or WXF notation.

    Weng Yeow HOR of West Malaysia (right) beating Taiwan's Chung Wei MA in the 5th round.

    Chian Chih Lin, last year's champion, looked more relaxed and calmer than a year ago. Was it a bad omen? He also lost one game only this year but unluckily for him in the final knock-out phase which dropped him to fifth place. His opponent in the eighth-round battle was West Malaysia's Weng Yeow Hor who did well also in the last year's Forshang Cup: java window, algebraic or WXF notation.

    The average age of the competitors was 43 years, the youngest being Khoa Huu NGUYEN (24, USA), Cao Khoa DAO (27, Vietnam) and U Myint SEIN (28, Burma) and by far the oldest Ing Lue TAN, 80, from the Philippines. Dao, the current Vietnamese champion, met very strong opponents, stronger than the winner Wu and most of the top-8 finishers. 

    In the seventh round, when the knock-out matches began, Dao had to beat Wu himself to get to the top eight. But Dao couldn't convert the advantage of the red pieces into a win in the first game unlike Wu, who knocked out his opponent in the second game of the match. The game in java window, algebraic or WXF notation.

    In the fourth round, Dao met Kuo Hsin Chen from Taiwan. Dao was more exact in the middlegame and converted his advantage to a win against the second-place finisher Chen, who also finished second in the last championship of Taiwan.

    Besides this loss (in java window, algebraic or WXF notation), Chen only lost to Wu, but twice - in the 6th round and in the championship match of the 10th round.

    The Philippines team captain Ing Lue TAN analyzing his game.

    Encouragingly for those who haven't yet gotten to the prize money, the oldest player Tan took 20th place and the prize of 1000 USD. In the seventh round he defeated the tournament's only female player Yu Ying HUANG, the Women's World Champion in 1995 from Canada, who narrowly missed the prizes. See the game in java window, algebraic or WXF notation.

    The tournament schedule had two games a day alternating with one a day. For the top players it was even more demanding as they had to decide the winners in short matches in the final phase. In addition to that, there was a special challenge from the president of the Forshang Foundation who challenged the top eight at 20-minute games at the stake of 4000 USD per game. In the evenings there was an analysis session with the best games at the hotel - unfortunately for me, only in Chinese.

    During the free time, if you were lucky, it was possible to get a glimpse of the stars of Baywatch Hawaii which was filmed in Honolulu at the time. Surfing at Waikiki was not a bad choice either. If you wanted to get adventurous, you could choose from many hiking paths around the island of Oahu and get to know the real nature of Hawaii. Paradise or not, the nature is not without dangers. During the tournament, two Danish girls got lost on a supposedly easy hiking route and ended up staying on a steep cliff for eight days. They survived licking the moisture from the cliff at night and were finally rescued by a local hiking team.

    The domination of the European players was - unfortunately not surprisingly - notable in the lower half of  the final crosstable. Only Thanh Trung DANG from France was able to make it to the upper half and the prizes. There were five nations from Europe represented: U.K., Finland, France, The Netherlands and Sweden. Italy and Norway didn't come this year nor was there a German team.

    Jouni at the 3rd Forshang Cup farewell party in Honolulu, holding the winner's (Kui Lin WU) trophy.

    Photo: Ari Luiro


    The award ceremony was held at the nightly Forshang Garden. The prizewinners were presented not only with huge checks (I wonder how they handle them at the bank) but also big trophies. You had to be strong to win them but you also had to be strong to carry them home. In the garden, the massive trees were decorated with thousands of tiny lights. There were Hawaiian dance and music performances in addition to the obligatory speeches.

    I would like to take the occasion to give rightful attention to the efforts of every one of the staff and volunteers of the Forshang Foundation and others who have contributed to this contest to make it as magnificent as it is. Getting all the tiny details right is not an easy task when you are hosting a group of people from all the different parts of world, from different cultures. There was always someone to encourage you, to give a friendly word even after a defeat. I hope the participants of the next Forshang Cup will enjoy it as much as I did.

    Photos with the permission of  Sinorama magazine



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